
PROJECTS & FORMATS
SOLO SHOW
DUET(s)
TRIO(s)
Solo concert using a loop station, allowing the musician to create different sound images with the different instruments layered on top of each other. The song is a constant, although in this format we can enjoy a series of compositions specific to each of the instruments. Depending on the occasion, you can enjoy a concert entirely dedicated to the hurdy gurdy or a mixture of timbres from the various instruments.
In this model, we can see different formations depending on the type of concert desired. Ruben Monteiro invites Tiago Santos when it comes to a concert where the rhythm and power of the drums are essential, and Carla Costa for a more intimate concert featuring a dialogue between the flutes and bagpipes with the hurdy gurdy and guitars.
In a trio, Ruben Monteiro invites Christian Marr's on bass or classical guitar and Dinis Coelho on percussion. Together they bring to life themes that are part of the instrumental discography, but also more recent original songs. In this format, instruments from the Iberian Peninsula to Central Asia can be heard.
QUARTET(s)
The quartet format focuses on the repertoire of the album CHRONOS, released in May 2025. In this concert, the featured instruments are the electric saz, the Arabic oud and the electric guitar, which contrast with Carla Costa's wind instruments, mainly the Turkish ney and whistles. The quartet is completed by Tiago Santos on drums and Christian Marr's on bass.

OTHER FORMATS
In certain circumstances, other musicians and artists may be invited to join in the creation of a performance that differs from the proposals. Thus, the themes of each concert may also change.
An example of this is the UMBRA concert, a duet accompanied by piano and synthesizers, or the PILARES DE HÉRCULES project, which takes the audience on a musical journey from the Atlantic to the Mediterranean.

WORKSHOPS
In certain circumstances, other musicians and artists may be invited to participate in the creation of a performance that differs from those proposed. Thus, the themes of each concert may also change.
An example of this is the UMBRA concert, a duet accompanied by piano and synthesizers, or the PILARES DE HÉRCULES project, which takes the audience on a musical journey from the Atlantic to the Mediterranean.





